This study documents how the term “okrummy” circulates across networked creative spaces and how “okrummy art” repurposes features of the Online Casino interface as aesthetic material. Through observational methods, we trace the emergence of a visual vernacular that frames chance, risk, and reward as motifs rather than instructions or endorsements.

Methods involved non-participatory observation of public forums, image boards, and short-form video channels over twelve weeks. We collected 612 posts bearing tags including okrummy, okrummy art, and Online Casino. Materials were coded inductively for recurring themes: interface appropriation, probability discourse, community norms, and temporal rhythms. No contact was initiated with creators